Thursday, September 27, 2012

Critical Reflection


For the creative component of this assignment I decided to use three forms of media, photo, text and audio. The black and white stills are from films that I have seen in the past and which are films I hold in high regard.  The colour photos are pictures that I took myself as I was travelling around the United States a few years ago. The connection between the B&W and colour photos is that they both take place in the same place.  For example, the frame of Jefferson Smith approaching the Lincoln Memorial (Mr Smith Goes to Washington) is captured at the same place where I took the photo of the Lincoln Memorial. These places that I had visited didn’t feel entirely new to me because I had been there before, not in ‘real’ life but rather in film. I had previous memories of these locations, not because I had been there in the flesh, but due to “prosthetic memory”.

When travelling the United States I noticed that some of the most popular tourist sites were those that were frequently depicted in film and television. Many of the visitors to these sites have a connection to them because of the experience they had ‘being there’ whilst watching a film. I also felt a connection to these places because of the experiences I had during a film. I felt as though I had visited the Bellagio Fountain, the Statue of Liberty and the Las Vegas Strip, but I had never once stepped foot there. I had memories of these places because of the experience I had in cinema. Alison Landsberg names this form of memory experience “prosthetic memory”. In relation to cinema, Landsberg describes it as such: “The birth of cinema made it increasingly possible to experience in a bodily way something that one was not actually living through” (28). In essence, prosthetic memories are memories that have been acquired from experiencing something through mass culture that one has not previously experienced in the flesh. In my case, I had prosthetic memories of these five places because of the experiences I had watching film.

I decided to construct my memory the way that I did because my experiences of visiting those places in the United States are intertwined with my experiences of watching those five films. To clarify, all my thoughts and attention weren't drawn to those films, but they did help form an overall experience during my visits.  My visits would have been much different if I hadn't watched the films previously, because I wouldn't have had the prosthetic memories derived from the films. The text I put into the creative component allowed me to share a few of the thoughts that I had as I arrived in these locations. These locations took on extra significance because of the prosthetic memories I took with me.  The text describes the correlation between the prosthetic memory and lived experience.

The reason I chose to add audio to the creative component of this assignment is due to my own belief in the emotive power of music. When I viewed these five films the two things that stuck with me were the images and the music, and I felt it difficult to separate the two.  The music added to the emotional experience I had with the film, and when I visited those sites throughout the United States, the music that accompanied those cinematic images also crept into my mind. Landsberg argues that “film addresses people intellectually as well as sensuously, through their bodies” (29), and I would contend that music is one of the major factors in a film that helps us connect with a film in a sensuous way. It is this emotional connection with a film that helps form prosthetic memory, as it becomes more than just an experience seen, but rather an experience felt.

Most of the Landsberg reading deals with prosthetic memories being memories of events in the past which are depicted in film, but I believe that they can also be memories of locations and places. The five films above gave me prosthetic memories of a place in a certain time, and while the events within them were fictitious (to a degree) the place itself was real and tangible. When visiting the Bellagio fountain, I could feel a connection that someone who hasn't watched Ocean’s 11 couldn't feel.  It was a memory of a place that I had never visited, given to me by the emotive experience of watching a film. And just by watching the people re-enacting the scene, I could see I wasn't the only one.


Works Cited:

Landsberg, Alison. "Prosthetic Memory." Prosthetic Memory: The Transformation of American Rememberance in the Age of Mass Culture. New York: Columbia University Press, 2004. 25-48.







Creative Component



Las Vegas (The Strip) - Casino (1995)
When I stepped onto the gaming floor of the Flamingo casino, the smell of tobacco, menthol and liquor overwhelmed my senses. After I had become accustomed to the smell, the lights and noises surrounding me took me back to a film I had watched called Casino. The Flamingo was one of the oldest casinos on the strip and aspired to evoke a sense of the old Vegas. When I heard that mobster Bugsy Siegel had owned the Flamingo in the past, the connection I had formed between the film Casino, and the Flamingo as I had witnessed it became further cemented.  



-------------

New York (Empire State Building) - King Kong (2005)
King Kong standing atop the Empire State Building is one of cinemas most iconic moments. When  I got the chance to venture up the building I couldn't help being reminded of Kong.  The retro décor in itself was enough to evoke memories of the film, but once I stood on the observation deck, overlooking New York, I was suddenly reminded of this scene in the film. 



-------------

Las Vegas (Bellagio) - Oceans 11 (2001)
The Bellagio fountain show, one of the most popular and iconic events on the Las Vegas Strip. When I arrived there, hundreds of people were there already to take in the show, As the show began, the music blaring out of the speakers was that of Clair de Lune, the very song used in the end of Ocean's 11. I remember sitting in the cinema, watching the fountain scene, and thinking how gorgeous it was and how I would love to see it in person.



-------------

New York (Statue of Liberty) - The Godfather II (1974)
One of my favourite movies of all time is The Godfather II, so as I cruised by the Statue of Liberty I couldn't help but be reminded of this powerful moment in the film. Of course, when having images of Godfather films flashing through my head I cannot help hearing the score as well.



-------------

Washington DC (Lincoln Memorial) - Mr Smith Goes to Washington (1939)
The Lincoln Memorial is a place that is infused with so much history and significance that many thoughts flooded my mind as I visited there. It was the place where Martin Luther King Jr gave his 'I have a Dream' speech, it was the site of many Vietnam protests, and became a significant feature in another of my favourite films, Mr Smith Goes to Washington. In despair, Jefferson Smith approaches the memorial searching for inspiration, and he eventually finds it upon the words engraved on the interior wall.




-------------